Title: Sweeney Todd: The Demon Barber Of Fleet Street
Starring: Johnny Depp, Helena Bonham Carter, Sacha Baron Cohen, Alan Rickman, Timothy Spall
Directed By: Tim Burton
Produced By: Patrick McCormick, Laurie MacDonald, Walter F. Parkes
Genre: Drama, Musical/Performing Arts, Thriller and Adaptation
Running Time: 1 hr. 57 min.
Release Date: December 21st, 2007 (wide)
MPAA Rating: R for graphic bloody violence.
Distributors: DreamWorks SKG, Paramount Pictures, Warner Bros. Pictures International
My rating: 6/10
Sweeney Todd a.k.a Benjamin Barker (Johnny Depp) returns to London after being sent away by Judge Turpin (Alan Rickman) with the help of a sailor, Anthony Hope (Jamie Campbell Bower). He opens a barber shop above Mrs. Lovett's Meat Pie Shop were she sells "the worst pies in London." With the help of Mrs. Lovett (Helena Bonham Carter), Todd tries to get rid of all the people who have ever done him wrong and hopes to be reunited with his daughter, Johanna (Jayne Wisener), who is now Judge Turpin's ward.
That being said I am of two minds about Sweeney Todd. On one hand I loved the story, but there was too much music. I know, I know it's a musical, but it is my review. I can handle musicals if there is decent ratio of dialogue to musical numbers and unfortunately, there is much more of the latter. Not only is there a ton of music but for the most part it is almost overpowering and most definitely over the top. Many repeat themes and numbers make the musical portion of Sweeney Todd a chore to really get into at times.
Until Johhny Depp and Tim Burton stop making films together,
keep reading
Mitch Emerson
mitchemerson@hotmail.com
Sunday, December 23, 2007
Movie Review: Sweeney Todd: The Demon Barber of Fleet Street by ME
Friday, December 21, 2007
Movie Review: National Treasure: Book of Secrets by ME
Title: National Treasure: Book of Secrets
Starring: Nicolas Cage, Diane Kruger, Ed Harris, Helen Mirren, Justin Bartha
Directed By: Jon Turteltaub
Produced By: Chad Oman, Mike Stenson, Oren Aviv
Genre: Action/Adventure and Sequel
Running Time: 2 hrs. 4 min.
Release Date: December 21st, 2007 (wide)
MPAA Rating: PG for some violence and action.
Distributors: Buena Vista Pictures Distribution
My Rating: 6/10
2004's National Treasure is a film that really didn't need a sequel, but it was inevitable. Take a tried and true story, adventurer seeks fame and fortune, and you can't lose right? Indiana Jones did it, Allan Quartermain did it, Lara Croft did it and now we get to see Ben Gates do it again.
This time around Ben Gates (Nicolas Cage) is ostensibly seeking to clear Thomas Gates (his great-grandfather) name in the conspiracy to assassinate Abraham Lincoln, but it always boils down to the treasure. Mitch Wilkinson (Ed Harris) is the man who brought these accusations against Thomas Gates in order to manipulate Ben into doing all of the work for him. Of course Riley (Justin Bartha), Abigail (Diane Kruger) and Ben's father Patrick (Jon Voight) are along for the ride.
National Treasure: Book of Secrets doesn't live up to it's predecessor. The first film had a great sense of humor that worked well but BOS can't seem to get the wit down this time. Also, liberal rearranging of historical facts and an extremely convoluted plot with segments that don't really add to the story weighs BOS down.
Nicolas Cage reprises his role as Benjamin Gates just the same as before, no real growth for him and his character. The real let down though is Justin Bartha's Riley. In the first film he was a semi-clueless tech expert who delivered his sarcastic lines with a timing that made him second only to Cage. In BOS, he has matured a little which means some of the humor is gone. Diane Kruger returns as Abigail Chase and just like the first film, is dragged along for the ride. Jon Voight chews up the scenery with a performance that at time reminded me heavily of Sean Connery's Dr. Jones Sr. in Indiana Jones and the Last Crusade while new addition Helen Mirren knocks what little screen time she has out of the park. Lastly is Ed Harris as Mitch Wilkerson. A great actor who has played heroic roles in The Abyss and Needful Things, and as a good/bad government agent in A Beautiful Mind brings elements of all of these to Mitch. He wants the Wilkerson family name to go down in history and is willing to do anything to do it.
National Treasure: Book of Secrets doesn't quite live up to it's potential but it is a fine family alternative to seeing whatever cutesy animated film that is releasing this week.
Until National Treasure: The Temple of Doom, oops, that's been done before,
keep reading
Mitch Emerson
mitchemerson@hotmail.com
Movie Review: Juno by ME
Title: Juno
Starring: Ellen Page, Michael Cera, Olivia Thirlby, Jennifer Garner, Jason Bateman
Directed By: Jason Reitman
Produced By: Joe Drake, Nathan Kahane, Daniel Dubiecki (II)
Genre: Comedy, Drama and Teen
Release Date: Various
MPAA Rating: PG-13 for mature thematic material, sexual content and language.
Distributors: Fox Searchlight Pictures
Juno takes a serious situation and makes it extremely funny without crossing the line into absurdity, while also never letting you forget that teen pregnancy is not a joking matter. Sixteen year old Juno (Ellen Page) gets pregnant by best friend Paul Bleeker (Michael Cera) and decides to give the baby up for adoption to couple Vanessa and Mark Loring (Jennifer Garner and Jason Bateman). While dealing with her pregnancy Juno must also contend with her rather cool parents and figure out her feelings towards Bleeker. Things go from bad to worse when problems between Mark and Vanessa cast a shadow over Juno's hopes. All of this adds up to be one of the best movies of the year.
Following up 2005's Thank You For Smoking, Jason Reitman, son of director Ivan Reitman, shows that he has inherited his father's talent for comedy. A rather quirky film that should appeal to todays audiences with it's wit, likeable if not lovable characters portrayed by a perfect cast, and way too many comedic verbal fusillades to count, Reitman and Cody surely have a hit with Juno.
Ellen Page will be a star in the near future. After the cult hit Hard Candy and her small role in the mainstream X-Men 3: The Last Stand. Page comes through once again as a talent to be reckoned with. Perfect comedic delivery and the ability to turn serious without being melodramatic is one of her key talents. Michael Cera still bugs me a bit, the kid seriously needs to man up a little. I have only seen him in Superbad and Juno but there is basically no difference in either character. Sure he's funny in these situations, but he's going to be pigeon holed if he doesn't show some variety soon. J.K. Simmons and Alison Janney almost steal a few scenes away from Page as her parents. The best way to describe them is the most realistic version of a teens fantasy parents. Simmons is great in every scene but watch for Janney's tirade against a snobbish ultrasound technician, it's one of the best scenes in the movie. Jason Bateman and Jennifer Garner are great as the proposed adoptive parents. They don't seem to fit together perfectly, which may have been done on purpose, but Bateman plays the slightly whipped husband perfectly. I know a few guys whose stuff has been relegated to one room in the house and can feel for Bateman. Garner, having just had a child in real life with husband Ben Affleck, probably didn't need to dig too deep for motivation in this film, which makes her performance that much better. Last mention is a quick cameo by Rainn Wilson of The Office, who has one of the best lines in the film as a lowly convenience store clerk.
Even though I haven't given many reasons to see Juno, I can only say that it is a package deal. The closest thing I can even consider a flaw is the dialogue. I don't think that many teens actually speak the way these characters do, but if you can get around that, then Juno is for you. Aside from that, Juno is by far one of the best comedies I have seen in a long time that doesn't feature gross out humor. It has already become one of my favorite films and will be a welcome addition to my collection.
There are multiple release dates for Juno for different cities. Head here to see when Juno opens in your city.
Until Juno 2, Juno Junior,
keep reading
Mitch Emerson
mitchemerson@hotmail.com
Jason Reitman/Diablo Cody interview for Juno by ME
I feel that I need to explain why this interview ended up being so short. See, Jason Reitman and Diablo Cody turned out to be two of the nicest and coolest people I have met. When I first got there, Jason, who by the way was wearing a Ghostbusters t-shirt, commented on my tattoos. (For those that don't know, I have quite a few tattoos of comic book characters) and then Diablo walked in and literally screamed when she saw the tattoo of Rogue from the X-Men on my leg. So a good amount of the alloted time was spent chatting about tattoos, the IMDB and truck driving. For those interested, I will be posting the full interview with all the chit chat on www.velvetropereviews.com in the near future.
ME: In Juno. how hard was it to ride that line between being funny and being serious?
Diablo Cody: You know, that’s always really tough. Originally I didn’t really set out to write a comedy strictly. And then it was my first screenplay, so I was still kind of discovering myself as a writer. As I moved forward I realized it definitely had a comedic voice to it. It was difficult because I always wanted it to be a little dark, and I always wanted it to be a little emotional but not too much so, so it was challenging. But the great thing about having a director who really understand the material is that he is very good at establishing tone, and so that perfect balance that you speak of is achieved.
ME: I didn’t see a lot that was dark, there were some little things….
DC: Yeah, not much left. Put it this way, I never imagined a cheerful orange and white poster when I was writing this movie. But Jason really brightened it up, and I’m glad that he did.
ME: I understand that you wrote a book so this becoming not quite a celebrity but more and more popular is kinda new, right?
DC: Yeah
ME: How has that treated you, and are you happy or do you wish you could go back?
DC: I’m incredibly happy, but at the same time it is a double edged sword, because you are praised and criticized in equal measure when you become a somewhat public figure.
Chit chat about IMDB
ME to Jason Reitman: You did a survey for the site trashwire.com for Thank You For Smoking. I was intrigued by one of your answers. I’m not a big fan of documentaries but This Film Has Not Yet Been Rated is one of my favorites. You had mentioned that if you had a billion dollars you would buy the MPAA and change how they do things. Have you had some kind of negative dealings with them?
JR: No no no, the MPAA has been very good to me. I don’t like a nanny state in film. I don’t like being told what to do, I don’t think people should be told what to do, I think people should be left to make decisions for themselves. That is somewhat at the core of both of my films, that people should be left to their own decisions.
Chat about This Film Has Not Yet Been Rated (which Cody hadn't seen yet) and the MPAA, and JR and DC chatting about their schedule, and truck driving
ME: I gotta ask, what kind of cool shit is going to be on the DVD?
JR: All kinds of cool shit. Deleted scenes, the original screen tests for the actors, there’s a music video that we cut together, there’s a blooper reel with a fake fight between me and Rainn Wilson, there’s a whole documentary on Diablo going from an internet blogger to a screen writer, some behind the scenes things. There’s like a Mystery Science Theater 3000 thing, Diablo and I deconstructing a scene like over our shoulders inside a movie theater. There’s tons of cool shit.
ME: I’ve always been a fan of the special features. Nowadays that’s more than half the reason to buy a DVD.
JR: The cool thing is, also, when you pee on the DVD case it tells you if you’re pregnant.
(laughter)
ME: Is it harder to direct established actors such as Bateman and Garner or younger talent like Cera and Page who are starting to make names for themselves?
JR: You know, every case is different, but on this film everything was easy. It was a delight with Jen, who’s very professional and very warm. And Jason is like the funniest guy you could have on set, so they make it very easy. And then Ellen and Michael are so easy going but so good and just tuning in to the perfect tone that there’s not many adjustments. You asked earlier about tonal adjustments….frankly that’s what made this movie so easy to do is that the actors were always kind of right there on the line and the adjustments that I would make would be very minor.
ME: Since Hollywood seems to be very sequel happy these days, at the drop of a hat for movies that really don’t deserve them, what you would see happening in a sequel?
DC: It’s hard for me to say because I feel so protective of the characters and I love them so much that I really want to freeze them in time and I don’t want them to have to go forward and experience any more.
JR: You talked a little bit about it…you know how Mark becomes an astronaut.
DC: Oh yeah, Mark becomes an astronaut.
JR: And he actually is the first guy to walk on Mars.
DC: It’s called Mission to Mark.
(laughter)
JR: And Vanessa and the baby actually become a singing duo, and they take their act on the road and they go worldwide. But then it’s actually kind of heartbreaking because they get into a fight over like are they artists or do they create product, and it breaks them apart which is kind of sad. Juno becomes an ice cream inventor for Baskin Robbins and works as a scientist inventing flavors of ice cream.
ME: I missed the screening last night but I figured that seeing it twice in one month was enough. How many times have you guys seen it?
JR: I edited it so for a few months I constantly was watching it.
ME: Once you’re all done with this, all the promotions and the DVD is out, how long does it usually take before you go back and watch it. Like how long has it been since you watched Thank You For Smoking just for the hell of it?
JR: Start to finish? I have not watched it completely through. If it’s on TV I’ll watch a scene or two, but it’s a little hard to watch. I would watch it with an audience if they’re liking it. Like if they were going to put it in theaters for a night I would totally go.
And we chatted for a few minutes about Cody's upcoming project Jennifer's Body, but that is a story for another time.
Movie Review: Walk Hard: The Dewey Cox Story by ME
Title: Walk Hard: The Dewey Cox Story
Starring: John C. Reilly, Jenna Fischer, Kristen Wiig, Tim Meadows, Raymond J. Barry
Directed By: Jake Kasdan
Produced By: Lewis Morton, Judd Apatow, Jake Kasdan
Genre: Comedy, Musical/Performing Arts and Biopic
Running Time: 1 hr. 36 min.
Release Date: December 21st, 2007 (wide)
MPAA Rating: R for sexual content, graphic nudity, drug use and language.
Distributors: Sony Pictures Releasing
My Rating: 7 out of 10
Dewey Cox knows the blues. From a childhood accident that left his brother cut in half to two failed marriages, from a father who shuns him to an evil addiction to drugs, Dewey feels the blues. This is his story.
Sounds like a biopic like Walk The Line doesn't it? Well, if you have been hiding under a rock the last few weeks and haven't seen any of the ads for Walk Hard: The Dewey Cox Story, then let me tell you, it isn't. Walk Hard parodies Walk The Line and many other biopics. With sight gags that go beyond the crowning scene in Knocked Up to witty phrasings in song, Walk Hard is a solid effort that falls just shy of the mark made by Team Apatow's earlier efforts. That's not to say that it isn't a funny film, but it lacks the heart of Superbad, Knocked Up and The 40 Year Old Virgin.
Maybe I am putting too much blame on Apatow. Jake Kasdan, the director, could still be considered a little wet behind the ears with only Walk Hard, The TV Set, Orange County and Zero Effect under his belt film wise. To give him credit where deserved, he also directed a few episodes of Freaks and Geeks, the cult classic TV show that was the launching point for many of Apatow's regulars.
John C. Reilly really doesn't seem to be the kind of actor that should be able to play the lead in any film, and he covers that fact well. Reilly also wrote and sang most of the music in the film, which is quite impressive on it's own. What really helps is the supporting cast, most of which are familiar. Jenna Fischer, Kristen Wiig, Tim Meadows, David Krumholtz, Harold Ramis, Martin Starr and a few more all add their little pieces that add up to help Reilly make Walk Hard a decent comedy. Some nice cameos as well. Look for Frankie Muniz as Buddy Holly and Jack White as Elvis. And the best, Jack Black, Jonathan Schwartzman, Paul Rudd and Justin Long as The Beatles.
Final thoughts – While not one I would buy for my collection, Walk Hard is, at it's core, a funny movie that delivers the laughs, but falls short in character development. And I must warn you, there are a few shots of male full frontal nudity along with very suggestive, but very funny, lyrics in a few of the songs.
Keep reading,
Mitch Emerson
mitchemerson@hotmail.com
Wednesday, December 19, 2007
DVD Review: Angel-A by JR
“Angel-A” is about Andre, a gambling ne’er-do-well who just can’t seem to catch a break from the many many people he owes money to. In a desperate attempt to end his life, and in a scene reminiscent of “It’s a Wonderful Life”, Andre attempts to leap off of a bridge to his impending death, only to be stopped when a beautiful leggy blonde jumps off right before he does. She says her name is Angela, and she’s a chain smoking “sexy bitch” who claims that since Andre has saved her life, she must save his.
The unlikely pair weave in and out of black and white bleak and deserted Parisian streets, knocking out Andre’s debt one by one. Angela appears to be either a smooth talker or a prostitute. Andre’s not quite sure which.
The acting in this movie had to work in order for the movie to work. Andre and Angela are on screen by themselves for most of the movie. Andre, played by “Amelie”’s Jamel Debbouze, is perfect in this part. Most of it has to do with how he looks. He just looks like a very clueless guy who would be down on his luck. He looks dirty and disheveled and naïve. Angela, played by relatively unknown Rie Rasmussen, is perfect as well. She’s beautiful, but very aloof. You never know exactly what she’s thinking. She’s very flirtatious with just about everyone, but clearly favors Andre. The two of them together make a very strange but sweet pair.
The film is shot entirely in black and white, for what reason I do not know, but it’s gorgeous. Paris never looked so sad and deserted than it does in this film. The shots are bleak but full. Not a detail is unnoticed. The signature Luc Besson filmmaking style is easily spotted as well with the jerky shots around the characters, and the spectacular filming of the climactic ending.
With all of the things this film has going for it, it should be better than it is. The script has it’s moments of charm and wit, but for the most part is pretty dull. It’s very unfortunate, especially with all of the potential that this film has going for it.
If you’re a Luc Besson like me, this one should be a no-brainer. If you missed it in theaters, go rent it now. If not, skip it and go for one of the better Luc Besson films. Even with this semi-flop, he’s a director to keep your eyes peeled for.
3 out of 5 stars
Jenny Rushing
Monday, December 17, 2007
Movie Review: Enchanted by JR
Starring: Amy Adams, Julie Andrews, James Marsden, Susan Sarandon, Patrick Dempsey, Idina Menzel
Directed by: Kevin Lima
MPAA rating: PG for some scary scenes and mild innuendo
Release Date: November 21, 2007
Every Disney Princess movie is essentially the same, right? Princess to be lives in poverty, meets a prince, the next day they get married and live happily ever after. “Enchanted” begins like a typical Disney Princess movie, only there’s a hurdle to jump over to get to the “married” and the “happily ever after”. The Princess-to-be, Giselle, is hated by the Princely-Hubby-to-be’s wicked stepmother, and as she is tra-la-ing to her wedding, she is pushed down a wishing well and lands in New York City where she is no longer a cartoon and nothing is “happily ever after”.
There have been many attempts at a fractured fairy tale. Some have been hits, “The Princess Bride”, and some have been misses, “Happily N’Ever After” and “Hoodwinked”. This one is a hit out of the ballpark. The satire is pitch perfect, never dry or dated. The jokes are laugh out loud funny, not roll your eyes babyish. It makes fun of every Disney movie out there while still being the type of movie it makes fun of. It’s hysterical! My favorite cliché they make fun of is the woodland animals that help the Princess-to-be a la “Snow White” and “Cinderella”. In “Enchanted”, woodland creatures come to help Giselle whenever she calls for them by singing out the window. Only when she makes it to New York, other kinds of…animals…come to help her clean. I won’t give it away, but the audience loved it!
Most recently, Amy Adams has received a Golden Globe nomination for her performance as Giselle, and let me tell you, even though she’s going up against some heavy hitters like Marion Cottilard for “La Vie en Rose”, the nomination is well-deserved. She’s adorable as the wide-eyed, happy-go-lucky, spontaneous-song-singing Giselle. There is no doubt that she is a princess and she’s just lost. She’s a joy to watch, literally. I had a grin plastered to my face through the entire movie. Other notable cast members include James Marsden as the goofy yet charming Prince, Susan Sarandon as the wicked stepmother, Patrick Dempsey aka McDreamy as the single father who tries to help Giselle get back to wherever she’s from, Julie Andrews as the Narrator, and, my favorite, Idina Menzel (Wicked) as Patrick Dempsey’s girlfriend. What a cast! Everyone is on top of their game here and looking like they’re having the time of their lives in these roles.
The music is also excellent. For you musical lovers, there’s a great scene in which Giselle bursts into song in the middle of Central Park and gets everyone involved in a huge song and dance number. It’s so much fun! We were dancing in our seats along with them. The soundtrack is a must for every Disney fan.
If you’ve not seen “Enchanted” yet, the holidays are the perfect time to do so. Most of us are with family and that usually includes children. This movie is a great choice for children of all ages. We took my 13 year old cousin and she loved it just as much if not more than my five year old little girl. In fact, my dad liked it probably more than anyone. This movie is for everyone. I can’t wait to see it again.
4.5 out of 5 stars (because I’m biased towards musicals and Disney)
Jenny Rushing
beccajane67@yahoo.com
Friday, December 14, 2007
Movie Review: I Am Legend by ME
Title: I Am Legend
Starring: Will Smith, Alice Braga, Dash Mihok, Salli Richardson-Whitfield, Charlie Tahan
Directed By: Francis Lawrence
Produced By: Erwin Stoff, Michael Tadross, Dana Goldberg
Genre: Action/Adventure, Science Fiction/Fantasy and Adaptation
Release Date: December 14th, 2007 (wide)
MPAA Rating: PG-13 for intense sequences of sci-fi action and violence.
Distributors: Warner Bros. Pictures Distribution
Disappointed. That is how I Am Legend left me feeling. Kind of like opening the greatest Christmas present ever and finding that the batteries didn't come with it and every single store is closed.
It's 2012, Robert Neville (Will Smith), is the last survivor living in New York after the “cure” for cancer mutated the rest of the population into bloodthirsty, light sensitive monsters. During the day he hunts and hits golf balls with his dog while waiting for other survivors to find him. But at night, he hides in fear of the mutated population that wants to kill him. Why? We don't know. And, Neville just happens to be a scientist trying to find a cure.
I Am Legend starts strong, with sweeping shots of a New York city gone to seed, slowly being reclaimed by nature. We learn what Neville does every day with little spots of Will Smith's trademark humor. Intermittently told through flashbacks and dreams is the story of what happened to the world and Neville's family in particular.
Will Smith does a great job of carrying the film pretty much on his own, being that he is the only actor onscreen during most of the film. By taking mannequins and posing them in a video store, he creates some semblance of the way life used to be. While this could be construed as crazy, you can plainly see that this is just a step in keeping his own sanity. He does have the required crying scene that seems to be in most of his recent films, but it is understandable in this film and I won't penalize Smith for it this time. Not much more can be said about the cast except for a neat little cameo by Emma Thompson as the Dr. who found the “cure”. Also, fans of the Sci-Fi Channel's Eureka may recognize Salli Blake. She plays Smith's wife in the flashbacks and is Allison Blake on Eureka.
Before I get to why the movie was disappointing, I want to say that the first three quarters were really good. It takes a combination of talents to keep a movie with mostly only one cast member interesting. Director Francis Lawrence coupled with Will Smith does this quite well. The effects are top notch. New York looks extremely creepy, reminiscent of the establishing shots of London in 28 Weeks Later but with the style of WETA's work on Peter Jacksons King Kong. The creatures are creepy without looking too dehumanized.
What doesn't work is the end. Feeling truncated and incomplete, I Am Legend could have easily added another twenty minutes to it's running time of an hour and forty minutes to provide a better sense of closure. I can't say any more without giving it away, sorry.
Notice that there was no mention of any of the other versions of this film. There have been two others, Omega Man starring Charleton Heston and The Last Man On Earth, starring Vincent Price. All three films were based on the novel by Richard Matheson, he who has penned What Dreams May Come and The Incredible Shrinking Man, among others. There was no mention because I haven't seen any of the others or read the book. Plan and simple.
All in all, I cared more for the dog than I did Robert Neville. What does that tell you?
Until Will Smith really is the last man on earth,
keep reading
Mitch Emerson
mitchemerson@hotmail.com
Wednesday, December 12, 2007
DVD Review: La Vie En Rose by JR
Sunday, December 2, 2007
Movie Review: Awake by DN
Awake (2007)
Starring: Hayden Christensen, Jessica Alba, Lena Olin, & Terrence Howard
Directed by: Joby Harold
Genre: Drama/Thriller
MPAA Rating: R for language, an intense disturbing situation, and brief drug use.
Release Date: November 30, 2007
In "Awake," a psychological thriller that tells the story of a man (Christensen) undergoing heart surgery while experiencing a phenomenon called "anesthetic awareness," which leaves him awake but paralyzed throughout the operation. As various obstacles present themselves, his wife (Alba) must make life-altering decisions while wrestling with her own personal drama.
Going in to this film, I was skeptical of the acting prowess of both Alba and Christensen, knowing that they've both left me feeling less than satisfied in the past. What I found was right on, in that their acting is it's usual cut and dry, monotone, walk through. It feels that both Christensen and Alba are just going through the processes while filming this movie. On the offset, you have screen and stage veteran Lena Olin, who shines as the mother of Christensen's character, and Terrence Howard, who once again proves he is a dark horse of acting ability.
The story revolves around how Clayton Beresford (Christensen), remains awake while under anesthesia, hearing the plotting and planning of his corrupt and crooked surgeons, who are planning on killing him during open heart surgery. Before watching the film, I had a strong thought in my head for what the purpose of the murder would be, and at the time I was not only skeptical of it, I was disappointed it. Disappointed with my own idea... fortunately, I was shocked to find the real reason behind the homicide. This would be only the first of a couple shocking twists and turns, which would find myself and most of the other the theater-goers on the edge of our seats.
Once you get the past horrid acting of the two main characters, you'll find yourself immersed in a story of intrigue and suspicion, which in the end gives great pay off, and left me feeling quite satisfied. I give Awake 3.5 out of 5 stars.
Tuesday, November 27, 2007
Movie Review: Mr. Magorium's Wonder Emporium by JR
Starring: Natalie Portman, Dustin Hoffman, Jason Bateman
Directed by: Zach Helm
Genre: Family/Fantasy/Comedy
MPAA Rating: G
Release Date: November 16, 2007
Mr. Magorium (Dustin Hoffman) owns a magical toy store, but will be retiring soon and leaving the business to his only other employee, Molly (Natalie Portman). He hires Henry, an accountant, to stabilize his finances before he leaves, and nobody is happy about any of it.
Since I first saw the trailer for “Mr. Magorium’s Wonder Emporium”, I knew it was a movie that I would love. The colors, the quirkiness, Natalie Portman’s haircut, I just knew. Sometimes you just know. As disappointed as I was to read all of the negative reviews, I was still excited to see it. The movie didn’t disappoint at all.
Dustin Hoffman is enchanting as Mr. Magorium. Just as he has transformed into wonderful characters such as Captain Hook and Raymond Babbitt, he does it again here. He’s simply adorable! He has such emotion in everything he says. You really believe that he’s been alive for over 450 years. You really believe him when he says that his toyshop is magical. You really believe him when he says that he’s “leaving”. Not “retiring”, not “dying”, but leaving. Isn’t that a nice idea? That we get to choose when we “leave”? Now if that isn’t great children’s storytelling, I don’t know what is.
Natalie Portman as Molly is just as magical as Dustin Hoffman as Mr. Magorium. Molly is a sweet girl in her early twenties who doesn’t seem to know what she wants in life. She used to be a pianist and has always dreamed of being professional, but finds herself stuck in the toy shop, not quite ready to move forward. When Mr. Magorium announces his departure, she is truly sad despite her dreams to leave the toy store. The relationship between Molly and Mr. Magorium is so sweet and innocent, very father/mentor to her daughter, it shakes her world when he says he is leaving. She always thought he’d be around. It forces her to realize where she really belongs. It’s the wake-up call she needed.
Jason Bateman rounds out the recognizable cast as Henry the accountant. Or as they all not so lovingly call him: The Mutant. Unfortunately, Bateman doesn’t receive nearly enough screen time as he deserves, so his character just seems like it was thrown in at the last minute to be an adversary/unlikely love interest. Still, when he inevitably comes around in the end, it’s very touching.
The special effects in this film are what appeal to the target audience, and they are spectacular. The colors are beautiful and the toys really to seem to come to life. It’s just as captivating to an adult as it is to a child. Some of the shots are simply breathtaking as well, such as the scene where Molly and Mr. Magorium take over an unsuspecting mattress store, and where Molly and Mr. Magorium dance in the park over bubble wrap. The movie is simply magical.
So say what you like about Mr. Magorium’s Wonder Emporium. Say that it’s boring and hokey. Whatever you like, go ahead. But for the people who are kids at heart, Mr. Magorium’s is the place to be.
3.5 out of 5 stars
Jenny Rushing
beccajane67@yahoo.com
Thursday, November 22, 2007
Movie Review: Beowulf IMAX 3D by CD
Title: Beowulf in IMAX 3D
Starring: Brendan Gleeson, Anthony Hopkins, Ray Winstone, Robin Wright Penn, John Malkovich
Directed By: Robert Zemeckis
Produced By: Martin Shafer, Roger Avary, Neil Gaiman
Genre: Action/Adventure, Science Fiction/Fantasy and Animation
Release Date: November 16, 2007
MPAA Rating: PG-13 for intense sequences of violence including disturbing images, some sexual material and nudity.
Distributors: Warner Bros. Pictures International, Paramount Pictures
In the age of heroes comes the mightiest warrior of them all, Beowulf. After destroying the overpowering demon Grendel, he incurs the undying wrath of the beast's ruthlessly seductive mother, who will use any means possible to ensure revenge. The ensuing epic battle resonates throughout the ages, immortalizing the name of Beowulf. -Yahoo Movies
First let me start off by saying I popped my 3D cherry with this film. I had been to the IMAX previously to see Transformers, but I had yet to experience the awesome power of 3D. This film was meant to be see in 3D, no doubt in my mind. The whole world comes alive and you really do feel as if your part of the movie.
That being said, on with the movie review! I am sure you have all read the story/poem of Beowulf. So there is no need to go into the story line in this review. It is a classic story that needs no explanation. So, lets delve right into what everyone has been talking about. No, I don't mean Ms. Jolie's enhanced chesticles. I am talking about the graphics.
When watching CGI films there are 4 things that show you whether or not the rendering is top notch or not. 1. Hair: Usually in CGI movie's they try to get the hair as realistic as possible, but still fall short of realism. This is not the case in Beowulf. Every strand of hair can be seen, even in the facial hair of the characters. 2. Grass: This is another tough one to pull off because grass is a chaotic element. The scenery in this film looks so real you almost feel as if your looking out a window into your back yard rather than watching a movie on the big screen. 3. Water: Realistic looking water is a big challenge for programmers. It is another instance of a chaotic element, with the way water flows and how transparent and reflective it is. Finally 4. Fire: In the past what was done to create the fire effect was simple taking video of a fire and then placing it on top of the scene. As far as I know this was not done in the movie. You could tell it was actually rendered yet, at the same time, it still looked real.
The soundtrack was decent. Nothing all that spectacular to report on it. Just your basic dramatic sweeping orchestral fare. It all fit into the world the movie created. I was enjoying the drunken ballads song by both the king's men and Beowulf's men.
Casting wise I think they did a superb job and got a class A list of actors to bring this epic to fruition. Sir Anthony Hopkins as King Hrothgar was a great choice. It was funny to see him playing a drunk. Ray Winstone played Beowulf to perfection. Another perfect casting choice was Cripsin Glover as Grendel, when you need a creepy freaky dude to play a creepy freaky character look no further than Mr.Glover. Finally, Angelina Jolie was the embodiment of the wicked and twisted temptress that was Grendel's Mother.
Now onto what I didn't like about this film. (Insert dramatic twist music) The first thing was the nudity of Beowulf. I didn't mind him being naked, but the lengths they went to in concealing his mini me bordered on hilarious. At one point I had to remind myself that I was watching a classic piece of literature brought to life and not another installment in the Austin Powers series. Another thing was the incessant need to use motion blur. I get it, the friggen camera and object are moving! I mean really, is their intent to give the viewers motion sickness? I dig seeing the action, not seeing something that vaguely resembles action. It kind of reminds me of when I was younger trying to watch scrambled porn.
Lastly this movie should NOT have been rated PG-13. Rating the film as such just goes to show how far out of whack the MPAA is. This movie is laden with sexual content and gruesome deaths. They seem to think that just because it is animated violence that it is less ugly. Newsflash, animated just means they can really get in there a make it look the best/worst.
I do give a word of warning though, 3D is not for everyone. The technology used to bring the film into the eye popping 3D world may have ill effects on some people. I started getting a headache half way through the flick, but put on my big boy pants and dealt with it. I mean come on it's Beowulf.
Final verdict? Go see it, in IMAX 3D.
I AM “NOT” BEOWULF!
Crobertdunham@yahoo.com
Wednesday, November 21, 2007
Movie Review: Hitman by ME
Title: Hitman
Starring: Timothy Olyphant, Dougray Scott, Olga Kurylenko, Robert
Knepper, Ulrich Thomsen
Directed By: Xavier Gens
Produced By: Charles Gordon, Adrian Askarieh (II)
Genre: Action/Adventure and Adaptation
Release Date: November 21st, 2007 (wide)
MPAA Rating: R for strong bloody violence, language, and some
sexuality/nudity.
Distributors: 20th Century Fox Distribution
There is nothing wrong with making a movie from a video game. Most ofthe time the stories are longer and more intricate to keep people interested. Sometimes, when a property crosses to a new medium, things are lost or the creators try throwing too many in-jokes for fans of the game. Hitman doesn't do that. It makes for an above average action flick that balances story with intense fighting while not catering to the fans or dumbing it down for a new audience.
Hitman doesn't waste any time creating a backstory for our hero Agent 47 (Timothy Olyphant). Genetically engineered and raised by The Orginization as an assassin for hire, Agent 47 finds that he is setup and is now on the run from The Organization, a determined INTERPOL agent (Dougray Scott), a crooked Russian Politician (Ulrich Thomsen) and his pocketed policeman Yuri (Robert Knepper). All while trying to keep Nika (Olga Kurylenko) alive as she is the only other one who knows what is going on.
There are only three real players in Hitman. Olyphant is a good actor who gives Agent 47 just enough personality for you to not think of him as a mindless killing machine. He shows his adeptness with weapons and then turns around and easily shows how little experience he has with women. Namely, Olga Kurylenko, who really doesn't have much to do except show of her body and cry a bit. Dougray Scott as Mike was the best performance only because I think Olyphant had to hold a lot of emotion back. I can't really back it up with examples because most of these characters are your basic cookie cutter characters, but are fleshed out enough for my taste.
The action sequences are more believable than the Matrix and not shot using todays favorite, the shakey cam. You can actually see what's going on on the screen, imagine that! What is lacking is a bit of backstory for Agent 47, but I understand that there isn't a lot of story given to him in the game either, so I'll let that one slide. Also missing are the blatant nods to the fans of the game... well mostly. There was one scene where 47 crashes into a hotel room where two kids are playing... yep,
you guessed it – Hitman. But, that was the only cheesy game reference I noticed.
Hitman is definitely worth a rental on DVD. None of the action is grandiose enough to really warrant seeing on the big screen and parents can't even dump the kids in the theater while Christmas shopping as the film is rated R for violence and a little more nudity than I expected, even if only from Olga Kurylenko. All in all a solid effort by writer Skip Woods and director Xavier Gens. I really wanted to make a joke about how decent of a movie it is for being written by a “Skip” and
directed by an “Xavier”, but the film is better than that low of a blow.
7 out of 10
Visit the official site at http://www.hitmanmovie.com/
Keep reading,
Mitch Emerson
mitchemerson@hotmail.com
Movie Review: August Rush by ME
Title: August Rush
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers, Terrence Howard
Directed By: Kirsten Sheridan
Produced By: Ralph Kamp, Louise Goodsill, Robert Greenhut
Genre: Comedy and Musical/Performing Arts
Release Date: November 21st, 2007 (wide)
MPAA Rating: PG for some thematic elements, mild violence and language.
Distributors: Warner Bros. Pictures Distribution
Convinced that music is the key to finding his parents (Keri Russell and Jonathan Rhys Meyers), 11 year old Evan (Freddie Highmore) leaves the orphanage and ventures out into the world. He discovers an awe inspiring talent for music within himself that he uses to help his parents find him. Along the way he meets people who wish to help him find his way, those who wish to exploit his musical talent for their own gains, and some who just want to help him realize his full musical potential.
August Rush could almost be considered a fairy tale. You have the little boy searching for his lost parents using an almost magical talent, the mother, all in white searching for her lost son, the father looking for his long lost love, the helpful fairy (Terrence Howard's character), and the bad guy trying to keep August and his talent all to himself.
Being a musician myself, I seem to have an affinity for movies about musicians. Especially films that portray music in a new and interesting way. August Rush is one of those films. Taking environmental noise and creating music from city sounds like traffic, footsteps and cars to show how a prodigy can find music in everyday sounds is expressed very well. Relatively new Director Kirsten Sheridan knows how to pull the heartstrings, only falling into the sappy section once or twice.
Freddie Highmore, Keri Russell, Jonathan Rhys Meyers , Terence Howard and Robin Williams are all on the ball here. Highmore exudes such joy at making music that every time he played, I couldn't help but smile. Russell and Rhys Meyers seem to be a big part of the story without really being a big part of the story. It's all about Highmore, not even Robin Williams, who by the way looks like he raided Bono's garbage for his wardrobe, can't even outshine him. Williams himself continues his streak of playing roles that are a little different for him. His turn as Wizard is a blend of all of his talent, humor and drama with a little craziness thrown in for good measure. Terrence Howard's part, although small, gives him another opportunity to prove that he will be a big name in the future. The first time he meets Evan/August, you can see in his eyes how much he cares.
The look and feel of the film are appropriate for each part of the story. You have a slightly gritty feel for rock and roller, a lighter feel when telling Lyla's side of the story and the best example is Wizards condemned theater, home to a group of children that he trains musically to panhandle. That set looks remarkably like the Lost Boys village in Hook, coincidently starring Robin Williams as well. Speaking of coincidences, there are way too many in the film, everybody crosses paths in there journeys or just misses them, which gets overused and seems a little hokey at times.
August Rush may be predictable, but the music, cast and emotion make up for the predictability and the sometimes ridiculous coincidences that pepper the film. This movie will appeal to a wide audience, from music aficionados to kids, romantics to couples and anybody who just wants to feel good. I highly recommend August Rush to the masses.
8 out of 10
Official Site - www.augustrushmovie.warnerbros.com
Until Robin wins a Bono look alike contest,
keep reading
Mitch Emerson
mitchemerson@hotmail.com
Friday, November 16, 2007
Movie Review: Blade Runner: The Final Cut by ME
Title: Blade Runner: The Final Cut
Starring: Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh
Directed By: Ridley Scott
Produced By: Brian Kelly, Hampton Fancher, Michael Deeley
Genre: Action/Adventure, Drama, Science Fiction/Fantasy and Thriller
Release Date: Various Dates
MPAA Rating: R for violence and brief nudity.
Distributors: Warner Bros. Pictures Distribution
The lights go down, the projector hums. Up on the big screen is Blade Runner, a movie that has gained an immense following over the last 25 years, myself included. With multiple versions of the film out there, hopefully Blade Runner: The Final Cut will be the (groan) final cut. I own the special edition Director's Cut that was released in 1999 and there are only a few noticeable differences. Gone is the stuntman in a wig for Zhora's death scene, re-shot and edited in with new footage that removes what some say is the worst stunt in history. They even got Joanna Cassidy to play Zhora again. Otherwise it's pretty much the same as the Director's Cut. So why spend your money to see it on the big screen? Because it's all about seeing Blade Runner on the big screen. If you are lucky enough to have a screening near you I would recommend attending. I love when my favorite films come back to the big screen. See, I was too young to catch Blade Runner at the theaters when it was originally released and to see the final version up there, how could I pass that up?
If you have been in a coma for the past 25 years, Blade Runner is a Ridley Scott film based on the novel Do Androids Dream Of Electric Sheep by Phillip K. Dick. Harrison Ford stars as Deckard, a cop (or Blade Runner) who tracks down life-like androids called replicants. A group escapes and finds it's way back to Earth and Deckard is pulled out of retirement to dispose, or retire as it's called in the film, this group. Also starring Rutger Hauer, Sean Young, Daryl Hannah, Edward James Olmos and M. Emmet Walsh, Blade Runner is considered a classic by most moviegoers.
I really don't think that full review of the film is really necessary but for those who want to know a little more I will say that this movie has garnered so much attention over the years for a reason. Extremely thought provoking as it raises questions dealing with racism, discrimination, the inability to change ones future as well as the question of what is humanity in the first place. Excellent acting and directing by Ridley Scott based on a novel by Phillip K. Dick is what keeps Blade Runner relevant even now. Just an all around great sci-fi movie that will be around (and still relevant) for at least another 25 years.
Now if you are lucky enough to live in or near one of the cities that is showing Blade Runner: The Final Cut, I recommend you take advantage of it as it may be the last time you get to see it in theaters. I've included a list of the cities, theaters and the type of print they have. If you are here in Detroit and know the Landmark Main Art Theater in Royal Oak, then you know that the older theater only adds to the time warp effect of seeing Blade Runner on the big screen, with the old school columns in the main theater as well as the lobby that even has couches for you to sit back and discuss the film with your friends. Don't let this opportunity pass you by! It's only going to be at the Main Art for ONE WEEK ONLY starting Nov. 16th.
Until the final final cut of Blade Runner,
keep reading
Mitch Emerson
mitchemerson@hotmail.com
10/26 - Seattle (Cinerama, Seattle - 35mm)
10/26 - Washington D.C. (Uptown, D.C. - 35mm)
10/26 - Portland (Cinema 21, Portland - 35mm)
10/26 - Salt Lake (Gateway Megaplex, SLC - Digital)
11/2 - Chicago (Music Box, Chicago - 35mm)
11/2 - Santa Barbara (Arlington, Santa Barbara - Digital)
11/2 - Baltimore (Landmark Harbor East, Baltimore - Digital)
11/9 - Boston (Coolidge Corner, Brookline - 35mm)
11/16 - Detroit (Main Art, Detroit - 35mm)
11/18 - Austin (Paramount, Austin - 35mm)
11/30 - San Francisco (Embarcadero, San Francisco - 35mm)
11/30 - Dallas (The Inwood, Dallas - 35mm)
11/30 - San Diego (Ken, San Diego - 35mm)
11/30 - Minneapolis (Uptown, Minneapolis - 35mm)
12/7 - Denver (The Landmark @ Greenwood Village - Digital)
12/7 - Philadelphia (The Ritz 5, Philadelphia - 35mm)
12/25 - Boston (The Brattle, Cambridge - 35mm)
1/2/08 - Austin (The Paramount, Austin - 35mm)
1/4/08 - Nashville (The Belcourt, Nashville - 35mm)
1/18/08 - Durham (Carolina, Durham - 35mm)
2/1/08 - Columbus (Drexel Gateway, Columbus - 35mm)
2/15/08 - San Francisco (Castro, San Francisco - 35mm)
2/29/08 - Sacramento (Crest, Sacramento - 35mm)
Movie Review: Bee Movie by CD
Title: Bee Movie
Starring: Jerry Seinfeld, Renee Zellweger, Kathy Bates, Chris Rock, Matthew Broderick
Directed By: Stephen Hickner, Simon J. Smith
Produced By: Jerry Seinfeld, Steven Spielberg, Christina Steinberg
Genre: Comedy and Animation
Release Date: November 2nd, 2007
MPAA Rating: PG for mild suggestive humor.
Distributors: Paramount Pictures
Barry B. Benson is a graduate bee fresh out of college who is disillusioned at his lone career choice: making honey. On a rare trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans are mass consumers of honey and decides to sue the human race for stealing bees' honey. -Yahoo Movies.
What can be said about a kid's movie filled with talking bees? Well your gonna find out my friends.
My wife and I took our son to see this film for 2 reasons, 1: he really wanted to see it and had been good. 2: My wife loves bees, so much so that she is actually a bee keeper. So this movie was like heaven for them both. I on the other hand had a real difficult time disconnecting from reality enough to enjoy this movie. Certain things just seemed TOO fantastical. Case in point, bees in my opinion shouldn't need to drive cars. Also because of this movie my wife has been over heard plotting on how to borrow 500,000 bees to see if they really can lift,fly and land a jumbo jet.
There isn't too much that makes this film stand out from all the other animated talking animal movies. The animation is average. Which is to say it's not horrible, but its nothing ground breaking. The soundtrack was the normal Disney instrumental fare. The only differences were Sheryl Crow sang a song for the end of the movie and they played Sugar Sugar by The Archies towards the mid point of the film.
One part I did enjoy was right in the beginning, you get a black screen with the fact that bee's shouldn't be able to fly. Their bodies are to fat and their wings are too small, so it is scientifically impossible for them to be able to fly. The reason given as to why they can fly was...”Bee's don't care what humans think is impossible”.
Another humorous element was the mention of “Bee Jesus” which sparked a very spirited bit of commentary on the way home. This movie is rife with the ability to make bad bee puns for weeks. Which as of yet has not stopped in my home.
I have sat and watched the previews again to see why I didn't enjoy this film that much, I think it could just be I wasn't in the right mindset. It has what it needs to make it watchable by the adults, but it isn't on the same level as some of the other kids movie's this past year.
This is definitely a movie I would recommend for your kids, but you might want to wait till it comes to DVD. That way if you don't dig it, you can read a book or something while it is on.
Awaiting the second Buzzing of Bee Jesus
Crobertdunham@yahoo.com
Saturday, November 10, 2007
PETER JACKSON'S SECRET SCI-FI MOTION PICTURE "DISTRICT 9"
SONY PICTURES ENTERTAINMENT ACQUIRES NORTH AMERICAN AND ALL ENGLISH- LANGUAGE DISTRIBUTION RIGHTS
TO PETER JACKSON'S SECRET SCI-FI MOTION PICTURE "DISTRICT 9"
Deal Includes Distribution Rights
in a Significant Number of Foreign Territories
Los Angeles, CA - November 9, 2007 - Sony Pictures Entertainment has acquired North American distribution rights as well as distribution rights in a significant number of foreign territories, including all English speaking territories, to the Peter Jackson produced sci-fi motion picture "District 9" from QED International. The announcement was jointly made today by Peter Schlessel, President of Sony Pictures Worldwide Acquisitions Group, and QED International CEO Bill Block.
Academy Award® winner Peter Jackson is producing "District 9" through his WingNut Films production banner. QED International, the Los Angeles based production, financing and international sales company, is fully financing the film. Jackson 's manager Ken Kamins of Key Creatives is serving as executive producer along with Bill Block.
Neill Blomkamp makes his feature film directing debut with "District 9", which he co-wrote with partner Terri Tatchell. The film is scheduled to begin shooting in Spring 2008 in South Africa . Details of the film's plot are being tightly guarded while pre-production is underway.
Bill Block says, "Amy Pascal, Michael Lynton and Jeff Blake and the entire team at Sony really understand this film and we couldn't be more excited to be in business with them. They are completely committed to the unique vision Neill and Peter have for ‘District 9.’
"We have seen some of Neil's enormously creative work launching Halo 3 and he is a true talent who understands how to use visual effects in full service of the story. With Peter Jackson and his team at WETA workshop working with Neil, we believe District 9 can be a true event tentpole on our release slate," said Amy Pascal, Co-Chairman of Sony Pictures Entertainment.
Negotiating the acquisition were Peter Schlessel for Sony Pictures Entertainment; Ken Kamins and attorneys Peter Nelson and Eric Suddleson on behalf of Peter Jackson; and Bill Block and Paul Hanson for QED International. Lara Thompson, Senior Vice President of Acquisitions for Sony Pictures Worldwide Acquisitions Group, was also integral in securing the rights to the film for the studio.
Wednesday, October 24, 2007
WES ANDERSON'S SHORT FILM "HOTEL CHEVALIER" TO JOIN
LOS ANGELES, CA, October 22, 2007 – Due to overwhelming demand, Fox Searchlight Pictures announced today that it will add director Wes Anderson's short film HOTEL CHEVALIER, starring Jason Schwartzman and Natalie Portman, to Anderson's hit comedy THE DARJEELING LIMITED beginning on Friday, October 26. The short is a companion piece to the main feature and details the life of one of the three brothers in the film played by Schwartzman, Owen Wilson and Adrien Brody. The short has been a popular download on iTunes during its month long availability which ends October 23. The film, together with the short, will expand into approximately 650 theatres.
Fox Searchlight Pictures’ THE DARJEELING LIMITED set the all time record 2-day opening theatre average when it opened in New York theatres on Saturday, September 29. The film had its premiere as the opening night film of the New York film festival on Friday, September 28 and to date has grossed over $3.9 million on only 200 screens.
HOTEL CHEVALIER was screened in four select Apple stores on September 25, with Anderson, Schwartzman and Portman at the Soho store in Manhattan to introduce the film and answer questions following the screening and Roman Coppola (co-writer, THE DARJEELING LIMITED) at the Chicago store as well as in Los Angeles and San Francisco stores. On September 26, following the in store premiere, HOTEL CHEVALIER became available for download online exclusively at www.apple.com/itunes and has received hundreds of thousands of downloads.
“Wes has crafted a brilliant companion piece to The Darjeeling Limited, adding to an already engaging and funny film,” said Peter Rice, President of Fox Searchlight Pictures. “After generating enormous buzz from festivals worldwide, we are thrilled to be showing these two films together in theatres for the first time.”
HOTEL CHEVALIER was shot on location at the Hotel Raphaël in Paris approximately one year before THE DARJEELING LIMITED feature, and has been shown at numerous festivals worldwide. HOTEL CHEVALIER was written and directed by Wes Anderson. The thirteen minute short is set in a hotel room in France and stars Jason Schwartzman and Natalie Portman. It is the brief coda to a doomed romance and the prologue to THE DARJEELING LIMITED.
In THE DARJEELING LIMITED, three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other -- to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray), and they eventually find themselves stranded alone in the middle of the desert with eleven suitcases, a printer, and a laminating machine. At this moment, a new, unplanned journey suddenly begins. Owen Wilson, Adrien Brody, and Jason Schwartzman star in this film about their adventure and their friendship. The film was written by Wes Anderson & Roman Coppola & Jason Schwartzman, produced by Wes Anderson, Scott Rudin, Roman Coppola and Lydia Dean Pilcher and executive produced by Steven Rale
Friday, October 19, 2007
Jerry Seinfeld was in Detroit!
Jerry Seinfeld was in Detroit on October first to promote his new animated film Bee Movie. Bee Movie is a promising film about Barry B. Benson (Jerry Seinfeld), a bee that is not happy with his career, who goes out into the world and discovers that humans are stealing honey without compensating the bees. So with the help of Vanessa (Renee Zellweger), Barry sues the Honey company and it's affiliates. Little do they know the ramifications of their victory.
Seinfeld is very passionate about this film. For him to come to Detroit and do a presentation like this with little to no fanfare is proof of that. He has spent the last four years writing, acting and just dipping his fingers into every aspect of the making of this film. Along with directors Spike Feresten and Barry Marder, they have created an interesting take on bee life in general and the production of honey. As ludicrous as the plot sounds, it does have a point. We steal the bee's honey, plain and simple. Most other natural resources are either the resource themselves or byproducts, while honey is actually made by bees. We just take it without a thought. Now I know that in real life bee's don't really have feelings but since we are talking about an animated film, we can stretch our sensibilities a little and ask, “How would you like it if it happened to you?” I'd sue too.
Seinfeld came out and entertained us with some stand up like banter before getting to the honey, such as where has Seinfeld been for almost nine years? Well, this movie explains four of those years, two on the script alone! The other five saw a return to stand up as well as spending time with his family. Can't blame a man for that can we? After his short presentation he introduced us to the directors, Spike Feresten and Barry Marter, who proceeded to walk us through the clips they had brought. A courtroom scene in which Ray Liotta, playing a caricature of himself, was hilarious. And, it looked just like him! Gotta give a guy credit for being able to make fun of himself, right? Another showed the first meeting between Barry and Vanessa which showcased Seinfelds specific brand of humor as well as some close up shots of everyday objects with amazing detail. Water drops, blades of grass, even the texture of Vanessa's was realistic. Yet another showed a group of bees flying around, swooping around things, it almost made me dizzy. Ok, not really but it was a fun ride.
So that is my take based on the clips that we saw. With an all-star cast including Jerry Seinfeld, Renee Zellweger, Matthew Broderick, John Goodman, Ray Liotta, Patrick Warburton, Oprah and more, Bee movie will be sure to entertain the whole family.
Bee Movie buzzes into theaters Nov. 6th. In the meantime , visit the official site at http://www.beemovie.com/ and watch out for “Bee Movie TV Juniors” on NBC. TV Juniors are short little comical spots by Jerry about his experience making the film. We had the pleasure of viewing two of these and I must say they are just as entertaining as the film clips we saw.
I hope to see you at the theater!
Mitch Emerson
mitchemerson@hotmail.com
Movie Review: 30 Days Of Night by ME
Title: 30 Days of Night
Starring: Josh Hartnett, Melissa George, Danny Huston, Jon Bennett, Mark Boone Junior
Directed By: David Slade
Produced By: Nathan Kahane, Mike Richardson, Joe Drake
Genre: Action/Adventure, Suspense/Horror and Thriller
Release Date: October 19th
MPAA Rating: R for strong horror violence and language.
Distributors: Sony Pictures Releasing
I usually give horror movies some leeway when it comes to realism because these scenarios would never happen in real life. I give the same leeway for movies based on comic books. 30 Days of Night is a horror movie based on comic book so don't go in expecting the next great Vampire flick. No sexy or cool Vamps or suave dapper Christopher Lee types. Just evil monsters that have been hiding for centuries, always on the go. They discover Barrow Alaska, where the sun sets and does not rise for 30 days, giving vampires plenty of time to slaughter the townspeople and hunt down the survivors. Sheriff Eben (Josh Hartnett), his estranged wife Stella (Melissa George), Eben's younger brother Jake (Mark Rendall) and a handful of survivors try to make it to sunrise. Can they do it?
30 Days of Night is far from perfect. With plot gaps such as no reasons are ever given as to why Eben and Stella are separated as well as big gaps in continuity, the over use of the “Shaky Cam”, and vampires who annoyingly screech throughout, we are treated to a hit and miss addition to both comic book and horror genres by Hard Candy director David Slade. And you know what? That's fine with me. As long as there are good effects, good acting and a story that makes some sense, I consider it a decent horror movie. Cinematography wise, the color palette fits the mood of the film perfectly. Drab grays and shadows, even the snow is more gray than white. There is one shot that not only is a good example of the use of color, but the carnage that has been wrought by these monsters is and overhead shot that moves down the street, bodies lying in splattered puddles of blood, monsters darting here and there, grabbing victims. Great shot.
Besides seeming to always need a haircut no matter what role he is playing, Josh Hartnett is the strongest actor in the film, especially when it comes to protecting family. One scene in which his deputy has killed his family to spare them from the vampires has Hartnett shaking the man telling him, “You protect your family! Not kill them!” with emotion that you can feel. But then at other times he can be a little over the top. BUT remember, it is a vampire movie based on a comic book. Melissa George, who plays Stella, Eben's estranged wife is the standard strong woman character who wasn't even supposed to be in town (she missed her plane). I don't know the character name, so I can't look up the actor, but the lead vampire was extremely well acted. You don't want to mess with him because you can feel that he has centuries of experience at slaughtering humans. Which makes the final fight between him and Eben a little unbelievable. If you had centuries to practice, wouldn't you be the best warrior ever?
I can't quite put my finger on the reason why, but 30 Days of Night reminds me of Phantoms, a movie based on the novel of the same name starring Ben Affleck (Affleck was the bomb in Phantoms!- just a favorite quote from Jay and Silent Bob Strike Back for those in the know), Rose McGowan and Peter O'Toole. But I digress. 30 Days of Night isn't without it's fair share of problems, but if you can overlook those, what you have left is more or less an action flick with elements of horror that is worth a rental on DVD.
http://www.30daysofnight.com/
Until 30 Days of Night 2: The Lost Boys Connection
keep reading,
Mitch Emerson
mitchemerson@hotmail.com
Monday, October 8, 2007
Movie Review: The Seeker: The Dark is Rising by JR
Starring: Alexander Ludwig, Christopher Eccleston, Ian McShane, Frances Conroy, James Cosmo
Directed by: David L. Cunningham
Produced by: Walden Media
Genre: Action/Adventure/Fantasy/Kid’s
MPAA Rating: PG for fantasy action and some scary images
A very normal boy, Will Stanton, newcomer Alexander Ludwig, is turning 14. He has a rather large family, five brothers and one sister, and they unfortunately appear to be more interested in getting the family together for the upcoming Christmas holiday than celebrating Will’s birthday. While his family seems to regard the day as nothing out of the ordinary (his brothers give him a sock because they forgot to get him a present), it seems as though Will is just stepping into the threshold of a new destiny for his life. Strange men are following him around with a look of hope and knowing on their faces. And then he is told that he is to be “The Seeker”: a boy who has been chosen to lead the forces of Light to overcome the impending arrival of the Dark.
Alexander Ludwig is sure to become a popular child actor, hopefully to recover from the Hollywood Child Actor Syndrome. He has mastered the art of being an awkward teen while still being a role model. Something that isn’t done too often these days. He has a crush on a girl at school and the shyness and the fear of rejection is clearly visible on his face. He’s the youngest brother and is often left out of the fun that his older brothers have, leaving him to relate more to his sister. He’s a very socially awkward boy and he just wants to fit in. When he is told that he is supposed to be “The Seeker”, he is very curious and excited to find out what exactly this entails, but he is also scared. Ultimately, he succeeds and overcomes all of the obstacles set before him to become a truly great character for kids to look up to.
Alexander Ludwig even holds his own against the supporting cast of fine, established actors in this film. It must have been nerve-racking to act alongside actors such as Christopher Eccleston (“28 Days Later”, “Doctor Who” and “Heroes”), Frances Conroy (“Six Feet Under”), Ian McShane (“Dallas”, “Hot Rod”), and James Cosmo (“Braveheart”, “Trainspotting”, “The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe”). These four make up the group of “Old Ones” who have been chosen to pass down the knowledge of the Light and the Dark and to make sure that the Light prevails. They are a joy to watch onscreen together.
The film is based on a five book series by Susan Cooper. I have not read the book, so I cannot compare, but hopefully a little more explaining is done in the book. The film was funny and very entertaining, but dragged a bit, especially in the second half when the film was supposed to be the most exciting. But a few things would have been nice to see. More of the history of the “Old Ones” would be nice, as well as some more back story about Will Stanton’s relatives. Also, why are all of the “signs” that Will is supposed to find in his immediate area? And why are they scattered throughout time? A very cool idea, yes, but why? Why wouldn’t they be scattered throughout the entire world instead of scattered throughout a tiny town in England?
These minor plot points could cause some frustration among adults seeking more, but from the reactions of the audience, the younger crowd to which this is geared doesn’t really care. They were more interested in the powers that Will receives as “The Seeker” than the plot. They were more interested in Will succeeding than where or how he found the signs. The children in the theater were cheering for Will. There is a new hero for children, and he is brave and normal and just like your kids. Finally there is a great role model for them.
Friday, October 5, 2007
Movie Review: The Heartbreak Kid by ME
Title: The Heartbreak Kid
Starring: Ben Stiller, Michelle Monaghan, Malin Akerman, Carlos Mencia, Robert Corddry
Directed By: Peter Farrelly, Bobby Farrelly
Produced By: John Davis, Joe Rosenberg, Marc S. Fischer
Genre: Comedy and Remake
Release Date: October 5th, 2007
MPAA Rating: R for strong sexual content, crude humor and language.
Distributors: DreamWorks SKG, Paramount Pictures
The Farrelly brothers, Bobby and Peter, remake a relatively obscure move titled The Heartbreak Kid in which Ben Stiller plays Eddie Cantrow, an everyman who meets Lila (Malin Akeman). Six weeks later they are married and on their honeymoon in Cabo where Lila gets a horrible sunburn which allows Eddie to wander around, meet, and fall for, Miranda (Michelle Monaghan). Eddie neglects to tell Miranda that he is on his honeymoon and the hilarity ensues.
While There's Something About Mary pushed the comedic boundaries and became a classic, The Heartbreak Kid fails to capture that same quality that made Mary so good. At times The Heartbreak Kid is a standard, yet enjoyable romantic comedy. But, every once in a while an over the top Farrelly gag is tossed in and feels really out of place. It's almost as if the Farrelly's couldn't decide if they were making a mainstream movie or a “Farrelly brother's comedy”, and it really shows. The clincher that ultimately tipped this from being an “ok” movie into the realm of a bad movie was the ending. Let's just say that Eddie didn't learn from his experience.
Although this is a Ben Stiller movie, the real stand out was Michelle Monaghan, who you may remember from kiss kiss bang bang or MI3. She plays a fun loving, sports oriented woman who captures Eddies heart and would be the perfect wife. She just gives a great and believable performance in a film that is full of stereotypical characters. Stiller's Eddie is still the same old Ben Stiller, just a little older and grayer. The Farrelly's must not have been able to get Cameron Diaz for this one so they hired her clone, Malin Akeman, who acts, looks, and moves just like Cameron. Carlos Mencia pops in and proves that he can't act as Uncle Tito, the hotel employee who is helping Eddie juggle the two women. Jerry Stiller has his almost obligatory part as, of course, Eddie's father and is the second most crass character in the film.
Not quite up to par with “Mary”, The Heartbreak Kid is pretty much just another mediocre comedy that will be easily forgotten. The best way to describe it tone wise would be if you took the heart of 50 First Dates and edited in all the raunchy bits from There's Something About Mary and hoped that you could satisfy fans of both films.
Visit the site at http://www.heartbreakkidmovie.com/
Until The Heartbreak Kid: The Honeymoon's Over,
keep reading,
Mitch Emerson
mitchemerson@hotmail.com
