Movie Review: Cloverfield by ME

Title: Cloverfield
Starring: Lizzy Caplan, T.J. Miller, Michael Stahl-David, Mike Vogel, Michael Stahl-David
Directed By: Matt Reeves
Produced By: Sherryl Clark, Guy Riedel, J.J. Abrams
Genre: Action/Adventure, Comedy, Drama and Thriller
Running Time: 1 hr. 24 min.
Release Date: January 18th, 2008 (wide)
MPAA Rating: PG-13 for violence, terror and disturbing images.
Distributors: Paramount Pictures

9/10

J.J. Abrams intrigued us last year with a teaser trailer that gave no name, just an explosion in downtown Manhattan and the head of the Statue of Liberty rolling down the street and a date, that was all. Genius if you ask me, but the real question is, does it live up to all of the hype and speculation that followed? I can attest that the answer is yes, it does.

Cloverfield is a Godzilla type movie yet both less and more at the same time. Innovative story telling told through the lens of a video camera found in Central Park by the Department of Defense with no narration, explanation or anything. The whole story is told by the videotape recorded by a group of friends in an eight hour period as they try to rescue another friend and escape the city when a creature attacks New York.

On an intellectual level Cloverfield should not work at all. What little character development there is comes from gaps on the tape where what was previously recorded comes through in between the current action, showing bits and pieces of the two main characters past relationship. The ending really shouldn't work either. It's abrupt and doesn't finish the story of the situation, but it does give closure on our character's part in the story. There is no explanation given to where the creature came from, what it wants or where it's going. You never really even get a great shot of what the thing looks like. And, to top it off, Cloverfield had a budget of less than $30 to $50 million. For comparison, Will Smith's I Am Legend had a budget of $150 million and for the record, I enjoyed Cloverfield much more than I Am Legend.

The “acting” is phenomenal when taken in context. No deep conversations or useless dialogue to continue the story. Nope, this is just four young adults scared out of their minds and doing the best that they can. Due to the lack of character development you don't really care who they are, the raw emotion of the situation is enough to make you care what happens to these people who just happen to live in the wrong city at the wrong time.

Only two small problems with the film. One, the movie is shot entirely with a hand held camera and if you are a regular reader of mine you know how much I hate the “shaky-cam”. But, I can forgive it this time as the premise and style make up for it although some people have complained of motion sickness due to the movement. Two, I know Manhattan is a small island, but still, the creature just happens to be everywhere our group is. I find that just a tad unbelievable, but then again, it is a monster movie.

Except for those two minor issues Cloverfield is one hell of an creative movie that delivers the scares and tension in a whole new way.

I'm Mitch Emerson, and I approve of this movie.

Keep reading,

Mitch Emerson
mitchemerson@hotmail.com

Theater Review: Sweeney Todd, The Demon Barber of Fleet Street by JR

Sweeney Todd: The Demon Barber of Fleet Street

With the big screen, award winning release of “Sweeney Todd” this holiday season, we should all at least have an idea of what the story is about. Just in case you’ve missed it, I’ll summarize. Sweeney Todd is a barber with a wife and baby girl when he is thrown in jail for a crime he did not commit. Upon his release fifteen years later, he returns to his former house and barber shop in London to hear that his wife has committed suicide and his baby girl is living in the house of the Judge who wrongly accused him. The Judge has adopted her and she thinks that he is her father. Naturally, Mr. Todd wants to exact revenge on the Judge who locked him away and stole his daughter, so he opens his barber shop to give his customers, and hopefully the Judge, the “closest shave they’ll ever know”.

I had never seen a stage production of “Sweeney Todd” before the movie came out this past December, but I had seen stills from it. I had also seen “Jersey Girl”, which has a scene from the stage production. These images combined along with what I had seen in Tim Burton’s film version were what I was expecting for the stage production. Boy was I wrong.

The 2005 Broadway revival is quite different than the original 1979 production of “Sweeney Todd”. The most important and challenging change is that there is an absence of an orchestra section. The cast plays each instrument in the orchestration and carries the instruments with them as they play their characters onstage. The small cast of 10 never goes off-stage. They are on the stage the entire length of the musical, with the exception of the intermission of course. This was a truly remarkable thing to watch. The pianist also happened to be playing the Beadle, and while he was in center stage as the Beadle, the Beggar Woman put down her oboe and played piano. Then when the Beadle was done with his lines, he would go back to the piano while Mrs. Lovett came out playing the tuba. Johanna plays the cello while singing “Green Finch and Linnet Bird”. It’s something I’ve never seen before and really speaks to the talent of the cast.

Another surprise was the set design. Gone is the crude two story barber shop/meat pie shop from the photos for the original Broadway production. Instead, there is only a wooden platform raised approximately 6 inches off of the floor that the cast uses as their stage. This wooden platform also ascends behind them, reaching all the way above the rafters. They’re more like wood slats than a platform, actually. Resembling a picket fence with openings between the wood. This allowed light to shine through to give more mood to the scene. When the mood is light, a white light shone through the slats. When Sweeney was killing, a red light shone through. This was a very unique way to give off the very unique feel of this musical. Other than the platform/wood slats, there was no set. The characters had a few chairs, a ladder and a coffin onstage to stand in as other things. For example, the coffin would stand upright and open to act as the doorway to the Judge’s home. Or Anthony would stand on a ladder to proclaim his love for Johanna.

As beautiful and captivating as it was to watch, one must really be familiar with the story to understand what was going on. The actors are all moving all over the stage and without any set and with their fellow actors playing the instruments around them, aren’t always able to speak directly at each other when having a conversation. In fact, it was rare when they were actually together in the same area of the stage. The only characters who shared some true alone time were Mrs. Lovett and Sweeney Todd. This is of course essential for those two characters in particular. If Mrs. Lovett and Sweeney Todd have no chemistry, the musical wouldn’t flourish the way it has.

The cast obviously has to be talented to pull this off. The score for ”Sweeney Todd” is said to be Steven Sondheim’s most challenging and anyone who’s ever had to sing it knows this firsthand. One can easily be out of breath and out of energy simply by singing and standing in place. These actors have to not only sing the challenging score, but they also have to play the entire orchestration and act the entire musical. Judy Kaye, who filled in for Patti LuPone on Broadway for the 2005 revival, plays Mrs. Lovett in the touring production and she is the heart and soul of the group. She’s no stranger to the character and can act this part without a hitch. She’s amazing. David Hess plays Sweeney Todd with an agony and emotion that was so different from Johnny Depp’s Sweeney Todd. I can’t say one was better than the other; they each bring so much to the role. Needless to say, I loved Mr. Hess’s performance. The rest of the cast was astounding as well, naturally. I just can’t imagine having the range of talent that each member of this cast has.

The stage production of “Sweeney Todd” is simply phenomenal. Even if you’ve seen the movie, it’s an experience completely unlike anything you’ve ever seen before. Trust me.

If you’d like to experience the tour of “Sweeney Todd”, click here for more information:

http://www.sweeneytoddtour.com/photo.htm

Jenny Rushing
beccajane67@yahoo.com

Movie Review: The Diving Bell and the Butterfly by JR

The Diving Bell and the Butterfly

Starring: Mathieu Amalric, Emmanuelle Seigner

Directed by: Julian Schnabel

MPAA Rating: PG-13 for nudity, sexual content, and some language

US Release Date: Nov. 30, 2007

In French with English subtitles

I went into this film not knowing what to expect. I remember seeing a preview for it a few months ago and thinking that it looked beautiful, but I don’t remember anything else from the preview. All I knew was that I knew I wanted to see it but I wasn’t exactly sure why. Sometimes that’s the best way to go into a movie: Not knowing a damned thing about it, only that you have a gut feeling that you’ll like it.

“The Diving Bell and the Butterfly” is based on a true story. Jean-Dominque Bauby was the editor of Elle magazine in Paris when he had a completely debilitating stroke at the young age of 43. He was paralyzed from head to toe, what doctors call “locked-in syndrome”, unable to walk, talk, or communicate. He could only blink his left eye, which later a nurse uses to help him communicate. What is remarkable about this story is that as dire as the situation, Jean-Do (as his friends call him) eventually sees hope. Before his stroke, he had arranged a book deal with a publisher and he wants to write his book, with the aid of his nurse, written entirely by his communicating with his left eye.

Every time I’ve tried to recommend this film, I’ve heard the same things, “Wow that sounds depressing”. Yes, it does sound depressing. I mean, the story is very tragic. If you look closer, you’ll find that it’s a tremendously emotional and at times uplifting film. It’s a story of great loss and then great triumph over that loss. There’s nothing like this film. You could compare it to films like “My Left Foot” I suppose, but the comparisons are slim. “The Diving Bell and the Butterfly” captivates you, paralyzing you for the entire duration of the film as you sit in awe and wonder at the reality of the events unfolding.

A great majority of the film is told from the point of view of Jean-Do through his one blinking eye. The audience is put in his position as much as possible, even allowing us to hear his internal monologue as he learns of his stroke and finds out he cannot speak. We get to hear his reactions to his visitors and his nurses and doctors. A great deal of it is humorous. Even in his state, he hasn’t lost his sense of humor.

It’s not easy to even imagine yourself in a similar situation. You can imagine all day being locked in a room or in a straightjacket or something, and the feelings of panic, paranoia, claustrophobia that come with it. Still it isn’t close to how Mr. Bauby must have felt. Being trapped in your own body...Wow. It’s a living nightmare.

“The Diving Bell and the Butterfly” is an amazing film, an experience not to be missed. It’s the ultimate story of overcoming obstacles.

4.5 out of 5 stars

Jenny Rushing

beccajane67@yahoo.com

Update: “The Diving Bell and the Butterfly” won two Golden Globe awards. One for Best Director, beating out the Coen Brothers for “No Country for Old Men”, Tim Burton for “Sweeney Todd” and Ridley Scott for “American Gangster. Quite a feat! It also won for Best Foreign Language Film, beating out Ang Lee’s “Lust/Caution”.

Movie Review: The Orphanage by ME

Title: The Orphanage

Starring: Belén Rueda, Fernando Cayo, Roger Príncep, Geraldine Chaplin, Montserrat Carulla (II)
Directed By: Juan Antonio Bayona
Produced By: Guillermo del Toro, Mar Targarona, Álvaro Augustin
Genre: Art/Foreign, Suspense/Horror and Thriller
Running Time: 1 hr. 45 min.
Release Date: December 21st, 2007 (wide)
MPAA Rating: R for some disturbing content.
Distributors: Picturehouse

My rating: 9/10 (Only because I don't like subtitles, lol)

With the intention of opening a home for sick and disabled children, Laura (Belén Rueda) moves into the orphanage she grew up in, along with her husband, Carlos (Fernando Cayo), and their son, Simón (Roger Príncep). As the opening of the home approaches Simón's small group of imaginary friends grows, hinting at something more than child's play. Before opening day is over Simón disappears, pulling Laura into a dark game that threatens to destroy her sanity.

A quick review for a movie that really needs to be seen in order to believe just how good it is, The Orphanage is by far the scariest movie I have seen in a long, long time. Director Juan Antonio Bayona takes his cues from producer Guillermo Del Toro using the same dark fantasy storytelling that was prevalent in Del Toro's Pan's Labyrinth, making me wonder if Del Toro pulled a Poltergeist and had more to do with the film than we are led to believe, just as Steven Spielberg “lent a helping hand” to Tobe Hooper in directing Poltergeist.

Speaking of Poltergeist, the best way to describe The Orphanage would be to take Poltergeist, The Haunting and Pan's Labyrinth and put them in a blender, mix, and then sprinkle a little bit of The Others on top. Bayona uses suspense like a master, building tension out of nothing at all. I found myself sitting on the edge of my seat for no reason at all. Low angles are used where you would expect to see a hand snake out of the darkness. Or a far away shot where you expect someone to step into frame watching the lead characters. Those are just a few examples of how he creates tension and keeps it up by not using those moments, instead opting to keep the tension tight. The creepy sound design and eerie music add to the overall tone of the film quite nicely.

For once there is a movie where the performances take a backseat to the story itself, which is a good thing, because as with Pan's Labyrinth, it is hard to judge an actors ability when you can't speak their language. You don't get the cadence and tone and inflection that we use to judge the actors ability to project emotion. On the other hand, a performance can also be graded on body language and the ability to express emotion with your eyes, and that is how I judged the actors in The Orphanage. We spend most of the movie with Belén Rueda, who plays Laura. She carries the film well as a distraught mother who knows her son is still alive. Her anguish comes across quite clearly as she knows what to do, but not how to do it. While Fernando Cayo,as Laura's husband, has a few scenes where you can see in his eyes how much he cares for Laura and how helpless he feels because he doesn't know how to help her while in other scenes, it seems he's just going through the motions.

If you liked the Pan's Labyrinth, you will like The Orphanage, trust me. Even if you haven't seen Pan's Labyrinth, like horror films and can handle subtitles, then see The Orphanage. With scares, plot twists, atmosphere and just all around plain creepiness, The Orphanage is what I consider to be a prime example of suspense/horror.

Until Guillermo Del Toro and Clive Barker collaborate,
keep reading

Mitch Emerson
mitchemerson@hotmail.com

Emagine Canton Announces a Price War!

ANNOUNCES A GOOD OLD-FASHIONED

PRICE WAR ON FIRST RUN MOVIES

IN CANTON TOWNSHIP , MICHIGAN
(and area moviegoers
will be the big winners!)

(Canton Township, Michigan – January 11, 2008)…Emagine Entertainment, Inc. is pleased to announce that it is reducing its ticket prices at Emagine Canton below that of its nearby competitor, effective today, in response to its competitor’s discount pricing policy. Emagine Canton will lower its admission fees, across the board, to prices just below that of the Canton 7 Cinema.

The decision to lower ticket prices at Emagine Canton was precipitated by the pricing policies of Emagine’s competitor located a mere 2 miles away. In order to compete effectively, Emagine management decided to not simply match prices, but to beat them and give the consumer the best movie going experience at what metropolitan Detroit consumers have voted the best movie theatre in Michigan in several local publications. Emagine Canton will continue to provide its patrons with the best movie value in metropolitan Detroit . In commenting on the new pricing policy, Paul Glantz, Founder/Chairman of Emagine Entertainment, declared “Our guests will enjoy a superb movie-going experience at a rock bottom price. We will not be undersold.”

NEW ADMISSION PRICES

Children (11 and under) - $3.75 All Day, Every Day

Seniors (55 & over) - $3.75 All Day, Every Day

Students (with I.D.) - $3.75 All Day, Every Day

Adults - $3.75 Matinees Every Day

Adults - $6.25 Evening Shows Every Day (all shows beginning at 6 p.m. or later)

Emagine’s 87,000 square foot Canton Township facility opened in October, 2004 and features nearly 4,000 seats along with cutting-edge projection and sound technology. All 18 auditoriums offer stadium seating, wall-to-wall screens, digital sound, digital projection, plush high back rocking chair seats with cup holder armrests, and minimum 46” row spacing. Emagine guests enjoy a wide variety of film choices and a dramatic 23,000 square foot dramatic lobby. Its full service concession stand offer all popular movie-going fare including hot fresh popcorn served in popcorn buckets, real butter, soft drinks, candy, nachos, and pizza plus specialty items including stuffed pretzels. Talk about innovations? Emagine is the only theatre chain in metropolitan Detroit to offer its guests a full array of beer, wine and cocktails that may be enjoyed at their seat during a show.

Emagine Canton is located just east of I-275, on the south side of Ford Road. Emagine Entertainment, Inc. operates 46 screens at three Michigan locations.

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